Review: “Recreation”, by Mitch Epstein
In 2005, American photographer Mitch Epstein published a book of photographs of the American people, from New York to Los Angeles, from Dallas to Gary, Ind., between the early 1970s and early 1990s. up to date LEISURE (Steidl, $85), edited by Susan Bell and Ryan Spencer, includes 34 never-before-seen images, creating an expanded portrait of a nation with various forms of recreation.
Downtown Manhattan, 1979
Massachusetts Turnpike, 1973
Among the first to introduce color photography into the realm of fine art, Epstein captured individuals and groups in a variety of free-time activities: a couple stopping to window-shop outside a shop in the New Orleans, a steamy performance at a Los Angeles nightclub, a group of men peeking into a construction site in Midtown Manhattan, naked bathers on Martha’s Vineyard. His photographs evoke an unusual range of emotions; they are funny and melancholic, contemplative, nostalgic and a bit lonely. Together, these scenes paint a portrait of late 20th-century anomie, a world without filters, selfies, or self-awareness.
Madison Avenue in New York, 1973
The Parade of Vietnam Veterans in New York, 1973
These photos range from stillness to chaos, but we always seem to catch people in moments of intimacy – a concept almost alien to Epstein viewers today. We feel distant from the subjects, as if we were watching them from a distance, watching in a voyeuristic way these moments of the past of an enviable authenticity.
The West Side Highway in Manhattan, 1977
Spectators at the Parade of Gulf War Veterans in New York, 1991
World War II Memorial, Battery Park, New York, 1983
Manhattan’s West Village, 1981
Erica Ackerberg is photo editor at Book Review.
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