Disney slammed for new ‘anti-white propaganda’ reboot The Proud Family

A reboot of Disney show “The Proud Family” is getting backlash over a rap in a recent episode of the cartoon featuring children singing about slavery and reparations, arguing that America “owes” black Americans because America “still hasn’t atoned” for its systemic biases, racism and white supremacy.

“This country was built on slavery, which means slaves built this country,” the song said repeatedly in the Disney+ episode of “The Proud Family: Louder and Prouder,” which aired. review the history of Juneteenth.

“The descendants of slaves continue to build it, the slaves built this country and we, the descendants of slaves in America, have earned reparations for their suffering and continue to earn reparations every moment that we pass overwhelmed by a systemic prejudice, racism and white supremacy that America was founded with and still has not atoned,” the children chanted.

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“We have enriched your families,” the sound continues. “From Southern Plantation Heirs to Northern Bankers to New England Shipowners, Founding Fathers, Past Presidents, Current Senators, Illuminati, New World Order.”

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Manhattan Institute fellow Christ Rufo shared a snippet of the episode on Twitter, calling it “pure critical race theory.” The song also promoted the idea that President Abraham Lincoln did not actually free slaves.

“We had Tubman, Turner, Frederick D, then they say Lincoln freed the slaves, but the slaves were men and women, and only we can free ourselves,” the song states. “Emancipation is not freedom. Jim Crow, segregation, redlining, public schools feeding private prisons where we become slaves again.”

“Blatant anti-white propaganda,” tweeted the popular End Wokeness Twitter account.

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The show’s executive producer, Latoya Raveneau, admitted to having a “not at all secret gay agenda” during a Disney staff meeting during the show’s production, according to a clip shared by Rufo.

“Our management there was so welcoming to my not-at-all-secret gay agenda,” Raveneau said. “All this momentum that I felt, like this feeling that I don’t have to be afraid, to love, let these two characters embrace… I was just, wherever I could, adding some weirdness.”

“Nobody wanted to stop me and nobody was trying to stop me,” she said.

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